Grey and edgy—that’s the way to write a real story. “Good” is a simplistic notion, a synonym for “weak and boring,” a malady of the Mary Sue.
Or is it?
Grey and edgy—that’s the way to write a real story. “Good” is a simplistic notion, a synonym for “weak and boring,” a malady of the Mary Sue.
Or is it?
Though we writers may not think about it, we create a certain atmosphere for ourselves when we sit down to write. It’s a mood we set to get our creative juices flowing, and here are some ways I achieve this writing rhythm.
As writers, sitting at a computer and typing a story feels as second-nature as breathing. But what about spilling our darkest demons on the page? Writing with vulnerability can be difficult, but in my experience, it’s always worth it. Here are four reasons you should get vulnerable with your words.
Pantsers are the type of writers who thrust themselves behind a screen and begin typing—without an outline! But if famous authors such as Stephen King and George R.R. Martin deem themselves to be pantsers, some pros must exist for this daring group.
I want to live the entire story in my head, beginning to end. I want to have experienced it in full before anyone else does. To do this, I construct a soundtrack.
Pitching your story to an agent or publisher should not be like pitching a baseball. The goal is not to throw out your idea as fast as you can, hoping your audience will miraculously slam a home run out of it. Here are some tips from my experience.